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Fundamental Bass

W. A. Production
  • Software: Fundamental Bass
  • Type: Multiband Compressor, Multi FX
  • Format: VST, AU, AAX
  • Rating:
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Get Low

As a famous vocalist once sang, “It’s all about the bass” and in as far as most genres of music are concerned, she’d be correct! Bass line balancing has always been a big challenge for producers, especially at the mixing stage, as the dynamic range of low end material can be huge. If you leave bass lines as they are, then they’ll threaten to unbalance the rest of your mix, but apply compression too liberally and a lively bass sound will have the life sucked out of it. So what to do?


That’s where Fundamental Bass comes in, giving you a quick way to tighten up the dynamics of your low end whilst keeping the snap and sparkle of mids and highs. The processing is achieved with an adjustable frequency split which feeds to two separate modules for processing. The low band features twin-compressors and imaging adjustment for clarity and mono compatibility. The high band compresses and adds grit, enhancing natural harmonics whilst keeping the bounce of the bass.

With a clutch of useful parameters and a comprehensive range of presets, all you need to worry about is where to set the frequency split for maximum dance floor destruction.

Low & High Frequency Split

The main concept behind Fundamental Bass is in the way it splits audio into high and low modules for independent processing. This way of mixing bass ensures that the low end is smoothly compressed without losing the excitement of mid and high frequency dynamics. Green (low) and yellow (high) coloured modules make it easy to see which range you’re adjusting, and each has separate on / off buttons, gain sliders and mix ratio dials.

Low Module

The Balance dial sets a compression level with up to -60dB attenuation. Make-up gain is automatically applied. The Flatten dial is a more aggressive compressor, used for evening out the dynamics of really bouncy bass lines or acoustic material with a wide dynamic range. Experiment with these two compression types to control your bass whilst still maintaining the groove.

High Module

Use the Balance dial to introduce gentle compression and the Drive dial to add a little (or a lot) of grit to the sound. You get tube-style saturation at low levels and full-on distortion when pushed harder. Careful tweaking of this control can add sparkling top-end to bass lines whilst keeping the low end clean and clear.

High & Low Pass Filters

Manoeuvre your bass line out of the way of your kick with the high pass filter handle - simply drag to determine a lower frequency limit and your kick and bass separation will sound much clearer. You can also ditch troublesome high frequencies that might be conflicting with other instruments. Just use the low pass filter handle to set a limit.

Split-stereo Imaging

An age-old producer trick is to collapse bass lines to mono. This ensures that they will mesh with the kick more effectively and better translate to a wider range of playback systems. Fundamental Bass can perform this trick easily, with independent stereo imaging sliders for the low and high modules. Set the low module to mono and high module to stereo to maintain the lively top end whilst centering any wandering low frequencies.

Mix & Balance

With independent gain controls for both the high and low modules, plus mix ratio dials for parallel processing, you can use Fundamental Bass for either subtle changes or powerfully expressive makeovers. The master clipper smooths out the dynamics of the outgoing audio and the output level slider allows you to set an accurate level for accurate A/Bing with the pop-free bypass control.

Visual Feedback

The live frequency display towards the top of the interface shows exactly what’s happening to the signal as it’s being processed in real time. Separate green and yellow meters correlate with the coloured high and low modules so you can visually monitor what’s happening each time you make a parameter change, with precision and accuracy.

Presets

With many included factory and artist presets, it’s easy to find the perfect starting point for your own bespoke bass tone. Tailored to specific bass characteristics and even other instruments, these factory options can be used to quickly cycle through parameter snapshots. The presets include everything from full-range bass compression, to frequency-specific transformations.

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!


Features:

  • Frequency-split bass processing
  • Independent compression & stereo imaging
  • Tube-style saturation & distortion
  • High and low frequency filtering
  • Visual feedback
  • Responsive & CPU friendly
  • Factory presets
  • Full PDF Manual & Tutorial video

System Requirements:

  • Windows 7 or higher (32 / 64 bit)
  • Mac OSX 10.7 or higher (32 / 64 bit)
  • AAX - ProTools 11 or higher

Audio Preview

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Reviews 21 | Average Rating (31 Votes):

User's profile avatar
Diego Cano
este plugin si que da otro sonido al Bajo suena bien la verdad...
25.09.2020
User's profile avatar
Sergey Vardanyan
Very convenient plugin and most importantly easy to use!
09.10.2020
User's profile avatar
Michal Tanay
Thanks for this plug in that’s so great working with them
29.09.2020
User's profile avatar
Wayne Ovenden
Make that low end punch this is a great vst delivering everything you need to make that dirty low end stand out
26.09.2020
User's profile avatar
Nick Rivera
This is a complete no brainer. This is one of the easiest and effective bass EQ's out there. The markers make it simple to parce your highs, mids and lows and the presets give you instant inspiration on tweaking the mix. Use this with Orchid or Mutant delay and you'll get a dark 808 underground sound. The kind of low you'd hear at a rave in a basement... I mean if you like that sort of thing. ...I do...
28.09.2020

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