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Home / Bundles / Independence Day Mastering Bundle
92%

Independence Day Mastering Bundle

W. A. Production
  • Software: SphereComp, Outlaw, Fundamental Bass, XTT
  • Genre: EDM, House, Tech House, Trance, Hip Hop
  • Rating:
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$14.90
$177.80
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Mastering can seem mysterious and confusing to the uninitiated, but now we're putting the power in your hands with our Independence Day Mastering Bundle!

The Independence Day Mastering Bundle from W. A. Production gives you the essential tools you need to put the finishing touches on your tracks for one low price. First, help your bass elements cut through the mix with our included Fundamental Bass plugin. Next, add precision and presence using our Outlaw Gain rider. Tame unruly elements using our SphereComp compressor plugin, which gives you the ability to compress using peak compression or RMS. And finally, our fan-favorite XTT by VINAI plugin can be the final cherry on top to get your mix sounding thick, powerful, and LOUD!

Don't miss out on this incredible deal. Buy the Independence Day Mastering Bundle today!

This bundle includes:

XTT by VINAI


Italian brothers, Alessandro & Andrea Vinai, are known for their hands-in-the-air Big Room EDM sound. Coming together as a music production duo over a decade ago, they are currently signed to Spinnin’ Records and dominate the Beatport charts. In their careers as DJs they host sell-out club nights and pack in partygoers from all around the globe. Now they finally bring their production talents and distinctive sound to the software realm, with this versatile compression plugin. Over a year in development, this innovative collaboration with W. A. Production brings a piece of VINAI into your own studio.

Features:

  • Designed by VINAI
  • Artist curated processing
  • Upward & Downward multiband compression with surgical shaping
  • Linked Input & Output faders for accurate gain staging
  • 5 adjustable frequency bands with threshold and makeup gain
  • Detailed per-band shaping: RMS, Attack / Release, Mid / Side
  • Scalable Time dial
  • Transparent brickwall limiter
  • Real-time frequency display
  • Pop & click free bypass
  • Responsive & CPU friendly
  • Factory presets
  • Full PDF Manual & Tutorial video

Learn more about XTT by VINAI

Outlaw


Whether you’re mixing live sound, smoothing vocals or balancing solo instruments, Outlaw is the gain-riding plugin you’ve been looking for. Outlaw listens to the incoming audio and compensates for volume changes, mimicking the mixing desk fader movement of a real-life audio engineer. Forget about drawing complex volume automation and let Outlaw do the hard work for you, with smooth gain levelling and a wealth of features.MIX, TARGET, GATE & GAIN

Features

  • MIX: mixes is the gain riding.
  • TARGET: sets the rms target of the gain-rider.
  • GATE: allows user to set a gate level that is relative to the TARGET level, to have the gain-rider ignore softer sounds.
  • HPF/LPF/SLOPE: Let you filter away the highs and lows in the detection signal with variable slopes so you can for example ignore the low rumble in a speech or vocal recording, or ignore the high attack and finger noises of a bass recording.
  • ATTACK/RELEASE/DIRECTION: Let you apply additional attack and release to the gain-riding so you can let through the signals peaks or smooth out the signals tails. With the DIRECTION control you can set the direction of the ATTACK and RELEASE which is helpful depending on if the general gain produced is upwards, downwards or goes in two directions.
  • MAX UP/MAX DOWN/INSTANT/ZERO/RMS: The MAX UP and MAX DOWN let you set the maximum gain that is applied up and down, which gives you more control over how extreme the gain-riding is allowed to be. Low values sound subtile. High values sound erratic. The RMS control lets you pick between slow, medium or fast rms-detection, which determines how quickly the plugin reacts to the incoming signal. INSTANT option is very fast and ZERO has 0ms RMS time.

Learn more about Outlaw

Fundamental Bass


As a famous vocalist once sang, “It’s all about the bass” and in as far as most genres of music are concerned, she’d be correct! Bass line balancing has always been a big challenge for producers, especially at the mixing stage, as the dynamic range of low end material can be huge. If you leave bass lines as they are, then they’ll threaten to unbalance the rest of your mix, but apply compression too liberally and a lively bass sound will have the life sucked out of it. So what to do?

Features:

  • Frequency-split bass processing
  • Independent compression & stereo imaging
  • Tube-style saturation & distortion
  • High and low frequency filtering
  • Visual feedback
  • Responsive & CPU friendly
  • Factory presets
  • Full PDF Manual & Tutorial video

Learn more about Fundamental Bass

SphereComp


W. A. Production has created the perfect way to approach and achieve proper compression. All producers know compression can either be an award-winning tool if used properly, or it can totally destroy your mix. Audio students are introduced to compression and most are left confused or scared to death of it. SphereComp is capable of catering to the seasoned pro and the beginner.

Features:

  • Input – Control the input gain by +/- 15dB.
  • Threshold – Threshold (dB), when the signal level exceeds the threshold the compressor goes into action.
  • Ratio – (ratio/1) As an example, a 3:1 ratio means that for every 3dB the input signal exceeds the threshold, only 1dB will be allowed to pass by the compressor.
  • Output – Control the output gain by +/- 15dB.
  • Buss – Switch between Regular mode (peak compression) and Buss mode (RMS compression).
  • Attack – Time in milliseconds that it will take for the compressor to reach its destination gain reduction, after the signal has crossed the threshold.
  • Release - Time in milliseconds that it will take for the compressor to reach 0 gain reduction after the signal returned below the threshold.
  • Auto Gain – Auto Gain matches the output volume to input volume automatically.
  • Stereo – Switch between stereo and mono modes.
  • Punch – Parallel processing to add punch to the signal before the compression stage.
  • Saturate – Add tube style saturation to the compressed signal.
  • Clean – Make the compressor sound as clean as possible. If Punch or Saturate are on, it will reduce their effect giving you different timbre options.
  • Side Chain – Signal from the right channel input goes to the detector and the signal from the left channel input goes to the compressor.
  • Soft Clipping – Use to round the signal when it approaches 0.0dB and ensures it does not exceed it.
  • Bypass – Allows you to engage and disengage the compressor.
  • Dry/Wet – Mixes between the processed signal and the input signal creating a parallel compression effect, which leaves the peaks untouched while boosting the lower part of the signal.

Learn more about SphereComp

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XTT By VINAI
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Outlaw
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Outlaw

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XTT

Outlaw

Fundamental Bass

SphereComp

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Reviews 5 | Average Rating (8 Votes):

User's profile avatar
jan d
great bundle for mastering, you will not be dissapointed..thx
04.07.2021
User's profile avatar
Andrew Hart
awesome
07.07.2021
User's profile avatar
randynorton
Absolutely Fantastic Bundle, low price that allowed me to take other W.A. plugins as well. EXCELLENT also the support, fast and kind to put me in a position to use a plugin lost for over 3 activations. I slowly collect them all because, moreover, they play and sound good! Amazing how much I like them!!
07.07.2021
User's profile avatar
John Pomfrett
Easy to use plugins. Very clean and do exactly what they are supposed to do with a great sounding result .
08.07.2021
User's profile avatar
Valdemar
Awesome great plugins i love it the best in this price point i would say that those are much more better than those expensive 🔥😍
18.07.2021
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